viernes, 31 de octubre de 2014

aston martin DP-100 vision gran turismo at goodwood festival of speed


Developed by the aston martin design team, the DP-100 vision gran turismo has been designed as a virtual-only GT racer available for gran turismo 6. as with the CC100 speedster concept, many of the design cues visible in DP-100, such as the light blade rear lamps, foreshadows the future direction of aston martin. created using many of the same techniques as applied in the development of the UK-based based luxury brand – such as hand sketches and 3D modelling – the twin-turbo mid-engined racer offers up to 800 brake horsepower and features a fully functioning suspension system and state-of-the-art electronics. the concept will be available for download in july 2014, following its global launch at the goodwood festival of speed.


the aston martin design team and design engineers worked for six months to create the new vision gran turismo

LED light blade technology enhances the DP-100's muscular rear profile

designed in GT racer style, vented wheel arches reduce drag, increase downforce and improve handling at high speeds
active wheel blades open and close to aid brake cooling and decrease wheel drag
aston martin DP-100 vision gran turismo at goodwood festival of speed

http://www.designboom.com/technology/aston-martin-dp-100-vision-gran-turismo-07-13-2014/

lunes, 27 de octubre de 2014

3M headquarters in minnesota revamped by atelier hitoshi abe


The global headquarters for ‘the 3M company’, located in st. paul, minnesota, has undergone extensive renovations involving a team of architects including atelier hitoshi abe and peter ebner and friends. each firm had separate responsibilities in the transformation of the corporation’s work environment, which is comprised of four structures linked by a second story walkway. specifically, atelier hitoshi abe’s scope included the conversion of the site’s central parking lot into a large plaza, the addition of many open and collaborative work spaces, as well as the redesign of various other public areas such as the employee entrance and café.


the renovation work transforms the site’s existing central parking lot into a pedestrian plaza. its design is characterized by a tangram patterning of tiles, with similarly shaped concrete planters, seating, and shade canopies. the surfaces utilize 3M stamark tape, a highly reflective adhesive backed material typically used for roadway markings.


the project attempts to subvert the complex’s previous arrangement, comprised of highly compartmentalized rooms, by inserting many open work spaces throughout the office structures. these ‘hubs’ were strategically located in key areas of the buildings to encourage informal congregation, discussion, and foster collaboration among various departments. specifically, these zones provide touch screen computers integrated with table surfaces, allowing for digital connection to complement face to face meetings. the interface allows employees to access network files, as well as link up their mobile devices and lap tops in order to seamlessly share information.


the open collaborative spaces are situated in transitional areas of the complex, which are typically considered less useful in workplaces, but where highly productive informal discussions tend to occur. each ‘hub’ is distinguished with brightly colored furnishings, and feature LED screens which present a constant stream of information. the displays are typically integrated with soffits protruding from the ceiling, and inform employees and visitors of news, announcements, and events for the minnesota campus as well as 3M workers around the globe.





various other spaces throughout the campus have been redesigned to reinvigorate the complex. for example, a large ‘forum’ area accommodates larger groups for trainings, seminars, or new employee orientation, with glazed partitions providing maximum daylight penetration and transparency. adjacent, a café provides a place to grab a coffee and light snack, as well as seating for meetings and an open working area.


additionally, two new stairs serve to improve circulation between different levels. one, painted in black, creates a direct connection between the primary employee entrance and the level below, providing access to the central plaza. a red-painted staircase links the dining area on the main floor to the lower level employee mall. in addition to a 3M shop, the mall contains various shops and services that include newspaper stands, a recreation room, laundry facilities, and a credit union.



























http://www.designboom.com/architecture/3m-headquarters-minnesota-atelier-hitoshi-abe-07-08-2014/

viernes, 24 de octubre de 2014

gallery FUMI at design miami/basel 2014


On the occasion of design miami/ basel 2014, gallery FUMI presents a collection of contemporary works and commissions. curated by directors sam pratt and valerio capo, the selected pieces push the boundaries of manufacturing and material applications.


glithero
coup de grâce, 2014
unique
H80 x W125 x D36 cm
bronze, walnut, gum paper



among the furniture that is being presented are two designs by british creative max lamb who exercises the traditional process of wajima nuri urushi lacquering to finish a cabinet and table. in contrast, a sculptural three-dimensional wall by rowan mersh is completed from 40,000 windowpane oyster shells that form a textural surface that reflects light in a way that visually enhances the iridescence of its natural appearance. a cloud-like formation of glass blown luminaires by jeremy wintrebert, hang delicately, while the sensually robust form of alex hull’s ‘split’ armchair displays the possibilities of moulding soft leather / suede into a structural form.


max lamb
urushi cabinet, 2014
unique
H90 x W96 x D40 cm
cypress, wajima-nuri urushi lacquer technique


gallery FUMI’s showcase at design miami/basel is a survey of today’s design contemporaries and the broad range of materials and manufacturing techniques they are exploring through their diverse practices, including pieces by: brooksbank & collins, glithero, alex hull, max lamb, thomas lemut, rowan mersh, johannes nagel, sam orlando miller, zoé ouvrier, studio markunpoika, study o portable, faye toogood and jeremy wintrebert.


max lamb
urushi low table, 2014
unique
H15 x W60 x D60 cm
cypress, wajima-nuri urushi lacquer technique


faye toogood
element table, 2012
edition of 10 + 1AP
H20 x W100 x D100 cm
blue resin


alex hull
split armchair / nude, 2013
edition of 12 + 1AP
H73.5 x W90 x D93 cm
vachetta leather, suede, composite


jeremy wintrebert
clouds, 2014
variable dimensions
approximately Ø55 cm per element
hand blown glass

http://www.designboom.com/art/gallery-fumi-at-design-miamibasel-2014-06-21-2014/

lunes, 13 de octubre de 2014

Aldo Rossi "didn't believe that form follows function" says Alberto Alessi


"[Aldo Rossi's] practice was completely different from the usual practice of industrial design as it is taught in schools," Alessi says. "In schools they teach students that form follows function, but Aldo didn't believe that."


The first product that Italian architect Rossi designed for Alessi was La Conica, a polished stainless-steel espresso maker with a cylindrical body and cone-shaped lid.

"I consider this [to be] one of our most poetical products," Alessi says. "The emotion and the expression of the art is much more important than the function."


Alessi says that he will try to work with designers to ensure that their products for Alessi are functional as well as beautiful, but is not always successful.


"You don't need Alessi to have a well-functioning coffee maker – but we try," he says. "Sometimes a designer comes to us with a strong idea with some problems in terms of function. We try to modify, to convince the designer [to change the design] and sometimes we succeed and sometimes we do not."


In the case of Rossi, Alessi says that he convinced him to design a cheaper, more practical espresso maker to sell alongside the much more expensive La Conica.


"He designed a second coffee maker, [which was] much more functional called La Cupola," he explains. "Being in cast aluminium it is four-times less expensive [than La Conica], so it sells much better."


http://www.dezeen.com/2014/07/07/movie-alberto-alessi-la-conica-espresso-maker-aldo-rossi-form-follows-function/